The Crossing of the Visible

ISBN-13: 9780804733915 / Angielski / Twarda / 2003 / 120 str.

Jean-Luc Marion; James K. A. Smith; James Smith

Opis

Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility--of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance--or what Marion describes as -phenomenality- in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting--from classical to contemporary--as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the -nihilism- of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.