The Concept of Coherence in Art

ISBN-13: 9789401088527 / Angielski / Miękka / 2011 / 256 str.

L. Aschenbrenner

Opis

This book concerns a single topic, coherence in the several arts, which is vague to begin with, but becomes progressively more precise as we proceed. While the book is not a formalist theory of art it aims to take steps toward clearing up the concept of form, which is of central interest in art, either by its observance or by deliberate defiance. While our interest is thus in one concept, it is as a matter of fact complex and covers some seven subordinate topics. Each of these important subjects is covered in separate chapters: the number of principal parts of artworks, their extent, size or magnitude, the intervallic relation between them, and their dimensional, contextual, tendentive, and connotational relations, all of which will be explained as we proceed. There are ample analyses or critiques devoted to particular artworks which appear in Part Two. While the book keeps to a fairly narrow range of subjects, breadth is there too, and the implication for all the arts is manifest. The examples cover mainly music, but there is a broad selection of architecture, sculpture, painting, both abstract and figural, and a brief selection from the field of narrative poetic art. Many more types of the arts had to be excluded to make the book of manageable size.

Spis treści

One: The Concept of Coherence.- Preamble.- 1. Introduction.- 2. The Aesthetic Complex and its Elements.- 3. The Ordination of Elements (1: First Relation of Elements).- 4. The Magnitude of Figures (2).- 5. Elements and Intervals (3).- 6. Dimensions of Elements: Their Comparative Relations (4).- 7. Contextual Relations of Elements (5).- 8. Tendentive Powers of Elements (6).- 9. Expression: “Instant Coherence” (7).- 10. How is Art Possible? (1).- 11. How is Art Possible? (2).- 12. The Compositional Order of Art.- 13. Feelings, Forces and Form.- Two: The Interpretation of Form.- Preamble.- 14. Coherence in Narrative Art.- (1) Robert Browning, ‘The Confessional’.- (2) Thomas Hardy, ‘The Sacrilege’.- (3) James Dickey, ‘The Shark’s Parlor’.- 15. Coherence in Visual Art.- (1) Elgin Marbles, ‘Horse of Selene’.- (2) ‘Temple of Neptune’, Paestum.- (3) Donatello, ‘Gattamelata’.- (4) Map of Paris.- (5) Twin Rocks, Oregon.- (6) Raphael, ‘The School of Athens’.- (7) Velazquez, ‘Infanta Margareta Theresa’.- (8) Giorgione, ‘Adoration of the Shepherds’.- (9) Perugino, ‘The Crucifixion’.- (10) Albrecht Dürer, ‘The Apostles’.- (11) Marc Haeger, ‘Stilt Race’.- (12) Marcel Duchamp, ‘Nude Descending a Staircase, No. 2’.- (13) Willem de Kooning, Lithograph.- (14) Jackson Pollock.- 16. Coherence in Music.- 16.1 Song.- (1) The Ordinary of the Mass.- (2) ‘Dies Irae’.- (3) Schubert: ‘Der Leiermann’, Die Winterreise.- (4)Hugo Wolf: ‘Zur Ruh’, zur Ruh’!’ Lieder nach verschiedenen Dichtern, Nr. 18..- 16.2 Instrumental Music.- (1) J.S. Bach: Suite 1 in G Major for Violoncello Solo, Courante.- (2) Beethoven: Sonata for Piano in D Major, Op. 28, First Movement.- (3) Beethoven: Piano Concerto in E ? Major, Op. 73 (The “Emperor”), Third Movement.- (4) Schoenberg: Klavierstück, Op. 33a.- 17. Conclusion: The Uses of Form.