The Classical Hollywood Cinema: Film Style and Mode of Production to 1960

ISBN-13: 9781138126671 / Angielski / Twarda / 2015 / 652 str.

David Bordwell; Janet Staiger; Kristin Thompson

Opis

'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.

Recenzje

`At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get in a very long time.' - City Limits

`Persuasively argued, the book is also packed with facts, figures and photographs.' - Financial Times

`An exhaustive study of Hollywood cinema to 1960.' - Times Education Supplement

`A dense, challenging and important book.' - The Observer

Spis treści

Acknowledgements  Preface  Part One: The classical Hollywood style, 1917-60  1. An excessively obvious cinema  2. Story causality and motivation  3. Classical narration  4. Time in the classical film  5. Space in the classical film  6. Shot and scene  7. The bounds of difference  Part Two: The Hollywood mode of production to 1930  8. The Hollywood mode of production: its conditions of existence  9. Standardization and differentiation: the reinforcement and dispersion of Hollywood's practices  10. The director system: management in the first years  11. The director-unit system: management of multiple-unit companies after 1909  12. The central producer system: centralized management after 1914  13. The division and order of production: the subdivision of the work from the first years through the 1920s  Part Three: The formulation of the classical style, 1909-28  14. From primitive to classical   15. The formulation of the classical narrative  16. The continuity system  17. Classical narrative space and the spectator's attention  18. The stability of the classical approach after 1917  Part Four: Film style and technology to 1930  19. Technology, style and mode of production  20. Initial standardization of the basic tehnology  21. Major technological changes of the 1920s  22. The Mazda tests of 1928  23. The introduction of sound  Part Five: The Hollywood mode of production, 1930-60  24. The labor-force, financing and the mode of production  25. The producer-unit system: management by specialization after 1931  26. The package-unit system: unit management after 1955  Part Six: Film style and technology, 1930-60  27. Deep-focus cinematography  28. Technicolor  29. Widescreen processes and stereophonic sound  Part Seven: Historical implications of the classical Hollywood cinema  30. Since 1960: the persistence of the mode of film practice  31. Alternative modes of film practice  Envoi  Appendix A: The unbiased sample  Appendix B: A brief synopsis of the structure of the United States film industry, 1896-1960  Appendix C: Principal Structures of the US film industry, 1894-1930  Appendix D: Lighting plots and descriptions  Notes  Select bibliography  Photograph credits  Index

 

 

O autorze

David Bordwell, Janet Staiger, Kristin Thompson