Series Introduction
Notes on Contributors
Timeline
Introduction (Mark Hutchings, University of Reading, UK)
1 The Critical Backstory (Sara D. Luttfring, Penn State Erie, The Behrend College, USA)
2 A Performance History (Jennifer Panek, University of Ottowa, Canada)
3 State of the Art (Patricia Cahill, Emory University, USA)
4 New Directions: 'Embodied Theatre in The Changeling' (Peter Womack, University of East Anglia, UK)
5 New Directions: 'Doubles and Falsehoods: The Changeling's Spanish Undertexts' (Berta Cano-Echevarría, University of Valladolid, Spain)
6 New Directions: 'Performing The Changeling, 2006-15' (Sarah Dustagheer, University of Kent, UK)
7 New Directions: 'Loving and Loathing: Horror in The Changeling from Text to Screen' (Nathalie Vienne-Guerrin, Université Paul-Valéry Montpellier 3, France)
8 Resources (Nora Williams, Independent scholar)
Notes
Select Bibliography
Index