'… a scrupulous and democratic account of its subject … consistently surprising, illuminating, and instructive … produc[es] a remarkable succession of affiliations that captures better than comparable introductions the … ideas and forms that characterize the period … a healthy reminder that literature and literary history can and should be fun … Caserio's … habit of broad reading within a given period … should produce only praise.' Matthew Levay, Modern Language Quarterly
1. British narrative fiction in terms of 'period' and 'treatments'; 2. The artist as critic: ideas of fiction, 1890–1938; 3. Seeing modernism through; 4. British fiction amid non-fictional discourses in the era of modernism; 5. Entertaining fictions; 6. Collective welfare and warfare: British fiction 1936–1950.