The Cambridge Companion to Percussion

ISBN-13: 9781107093454 / Angielski / Twarda / 2016 / 310 str.

Russell Hartenberger

Opis

This Companion explores percussion and rhythm and is written by performers, composers, conductors, scholars, instrument designers, and scientists.

Recenzje

'This is another fine addition to the Cambridge Companion series and is essential for all libraries supporting percussion studies and research. It also provides thoughtful and entertaining reading for the player or listener who wants deeper insight into this wide-ranging discipline.' Russ Girsberger, Notes

Spis treści

Introduction Russell Hartenberger; Part I. Orchestral Percussion: 1. Timpani traditions and beyond Russell Hartenberger; 2. Orchestral percussion in the twenty-first century: concerns and solutions William L. Cahn; Part II. The Development of Percussion Instruments: 3. Marimba revolution: mallet instruments, repertoire, and technique in the twenty-first century William Moersch; 4. Instrumental ingredients Garry Kvistad; 5. The percussion industry Rick Mattingly; 6. Virtual drumming: a history of electronic percussion Thomas Brett; Part III. Percussion in Performance: 7. Lost and found: percussion chamber music and the modern age Adam Sliwinski; 8. Taking center stage: percussionist as soloist Colin Currie; 9. Percussion theater: the drama of performance Aiyun Huang; 10. Three convergences: a percussionist learns to conduct Steven Schick; Part IV. Composing Music for Percussion Instruments: 11. Finding a voice Bob Becker; 12. Flexibility as a defining factor Jason Treuting; 13. Thoughts on percussion and rhythm Steve Reich; Part V. Drum Sets and Drumming: 14. In the pocket: how a drum set player grooves Peter Erskine; 15. The 'funky drummer' break: ghost notes, timbre, and popular music drumming Steven F. Pond; 16. Way beyond wood and skin: drum sets, drumming, and technology Jeff Packman; Part VI. World Percussion: 17. Speaking of rhythm Russell Hartenberger; 18. African influences on Western percussion performance and pedagogy B. Michael Williams; 19. The Gamelan Beleganjur as Balinese percussion ensemble Michael B. Bakan; Part VII. Percussion and Rhythm: 20. Lessons from the laboratory: the musical translation of scientific research on movement Michael Schutz; 21. In the beginning was the beat: evolutionary origins of musical rhythm in humans John R. Iversen.