The Art of Joaquín Torres-García: Constructive Universalism and the Inversion of Abstraction

ISBN-13: 9781472471437 / Angielski / Twarda / 2016 / 192 str.

Aarnoud Rommens

Opis

Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquin Torres-Garcia. After studying and painting (for decades) in Europe, Torres-Garcia returned in 1934 to his native home, Montevideo, with the dream of reawakening and revitalizing what he considered the true indigenous essence of Latin American art: "Abstract Spirit." Rommens rigorously analyses the paradoxes of the painter's aesthetic-philosophical doctrine of Constructive Universalism as it sought to adapt European geometric abstraction to the Americas. Whereas previous scholarship has dismissed Torres-Garcia's theories as self-contradictory, Rommens seeks to recover their creative potential as well as their role in tracing the transatlantic routes of the avant-garde. Through the highly original method of reading Torres-Garcia's artworks as a critique on the artist's own writings, Rommens reveals how Torres-Garcia appropriates the colonial language of primitivism to construct the artificial image of "pure" pre-Columbian abstraction. Torres-Garcia thereby inverts the history of art: this book teases out the important lessons of this gesture and the implications for our understanding of abstraction today."

O autorze

Aarnoud Rommens is BeIPD-COFUND/Marie Curie Post-Doctoral Fellow at Faculté de Philosophie et Lettres, University of Liège, Belgium.