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The Art of Critical Making: Rhode Island School of Design on Creative Practice

ISBN-13: 9781118517864 / Angielski / Twarda / 2013 / 272 str.

R Somerson
The Art of Critical Making: Rhode Island School of Design on Creative Practice R Somerson 9781118517864 John Wiley & Sons Inc - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

The Art of Critical Making: Rhode Island School of Design on Creative Practice

ISBN-13: 9781118517864 / Angielski / Twarda / 2013 / 272 str.

R Somerson
cena 115,42
(netto: 109,92 VAT:  5%)

Najniższa cena z 30 dni: 113,84
Termin realizacji zamówienia:
ok. 16-18 dni roboczych.

Darmowa dostawa!

Describes the world's leading approach to art and design taught at Rhode Island School of Design At Rhode Island School of Design students are immersed in a culture where making questions, ideas, and objects, using and inventing materials, and activating experience all serve to define a form of critical thinking--albeit with one's hands--i.e. -critical making.- The Art of Critical Making, by RISD faculty and staff, describes fundamental aspects of RISD's approach to -critical making- and how this can lead to innovation. The process of making taught at RISD is deeply introspective, passionate, and often provocative. This book illuminates how RISD nurtures the creative process, from brief or prompt to outcome, along with guidance on the critical questions and research that enable making great works of art and design.

  • Explores the conceptual process, idea research, critical questions, and iteration that RISD faculty employ to educate students to generate thoughtful work
  • Authors are from the faculty and staff of the Rhode Island School of Design, which consistently ranks as the number one fine arts and design college in the United States
The Art of Critical Making shows you how context, materials, thought processes, and self-evaluation are applied in this educational environment to prepare creative individuals to produce dynamic, memorable, and meaningful works.

Kategorie:
Nauka, Ekonomia i biznes
Kategorie BISAC:
Business & Economics > Ekonomia
Art > Study & Teaching
Wydawca:
John Wiley & Sons Inc
Język:
Angielski
ISBN-13:
9781118517864
Rok wydania:
2013
Ilość stron:
272
Waga:
0.77 kg
Wymiary:
23.62 x 18.92 x 2.06
Oprawa:
Twarda
Wolumenów:
01
Dodatkowe informacje:
Bibliografia

Foreword J 5
John Maeda

Preface 11
Frank R. Wilson

The Art of Critical Making: An Introduction 19
Rosanne Somerson

Groundwork 32
Leslie Hirst

Text and Context: Outward in All Directions 52
Daniel Cavicchi

Conversation: Drawing 74
Patricia C. Phillips

Thingking 94
John Dunnigan

Object Lessons 116
Sarah Ganz Blythe

Conversation: Materials 138
Kelly Dobson

Graphic Design, Storytelling, and the Making of Meaning 164
Lucinda Hitchcock

The Nature Imperative 190
Neal Overstrom

Conversation: Critique 210
Eva Sutton

Acting into the Unknown 230
Pradeep Sharma

Afterword 245
Mara L. Hermano

ACKNOWLEDGMENTS 251

CONTRIBUTORS 253

ILLUSTRATIONS 261

INDEX 265

ROSANNE SOMERSON is the Provost at Rhode Island School of Design. A professor for more than 25 years, she has lectured in museums, conferences, corporations, and schools across the world. She has maintained her own studio since 1978 and has exhibited work extensively in museums throughout the United States and internationally including the Smithsonian American Art Museum and the Louvre in Paris.

MARA L. HERMANO is Executive Director of Strategic Planning and Academic Initiatives at Rhode Island School of Design. Trained as an art historian, she has focused her career on the intersection of art and design, culture, and higher education.

As the world grows increasingly complex and fast–paced, with global issues impacting us all, making, materials, and meaning are critical. The kind of essential knowing that we develop at RISD informed through our hands, through our bodies, and in the creation of works, experiences, and events is more cogent than at any other time. Artists and designers hone the capacity to generate something from deep inside ourselves to live outside of ourselves. By residing in the experiential and the physical, and by developing the "hands–on" as a portal of intelligent learning, we confirm the mind as maker and making as a state of mindfulness. We demonstrate how artists and designers are hosts for enduring creative discovery that is self–initiated and actively engaged. In short, artists and designers manifest what has not existed previously in many cases, what has never even been imagined.

RISD PROVOST ROSANNE SOMERSON, EXCERPT FROM THE INTRODUCTION

I believe that art and design have critical roles to play in innovation in this next century, much like science and technology did in the last. The very methods revealed in this book will drive the new ideas, movements, and solutions that will help us tackle the complex problems of our day.

RISD PRESIDENT JOHN MAEDA, EXCERPT FROM THE FOREWORD



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