Terrorism Before the Letter: Mythography and Political Violence in England, Scotland, and France 1559-1642

ISBN-13: 9780198745761 / Angielski / Twarda / 2016 / 288 str.

Robert Appelbaum

Opis

Beginning around 1559 and continuing through 1642, writers in England, Scotland, and France found themselves pre-occupied with an unusual sort of crime, a crime without a name which today we call "terrorism." These crimes were especially dangerous because they were aimed at violating not just the law but the fabric of law itself. Yet they were also, from an opposite point of view, especially hopeful, for they seemed to have the power of unmaking a systematic injustice and restoring a nation to its "ancient liberty." The Bible and the annals of classical history were full of examples: Ehud assassinating King Eglon of Moab; Samson bringing down the temple in Gaza; Catiline arousing a conspiracy of terror in republican Rome; Marcus Brutus leading a conspiracy against the life of Julius Caesar. More recent history provided examples too: legends about Mehmed II and his concubine Irene; the assassination in Florence of Duke Alessandro de 'Medici, by his cousin Lorenzino.
Terrorism Before the Letter recounts how these stories came together in the imaginations of writers to provide a system of "enabling fictions," in other words a "mythography," that made it possible for people of the sixteenth and seventeenth centuries to think (with and about) terrorism, to engage in it or react against it, to compose stories and devise theories in response to it, even before the word and the concept were born. Terrorist violence could be condoned or condemned, glorified or demonized. But it was a legacy of political history and, for a while, an especially menacing form of aggression, breaking out in assassinations, abductions, riots, and massacres, and becoming a spectacle of horror and hope on the French and British stage, as well as the main theme of numerous narratives and lyrical poems.
This study brings to life the controversies over "terrorism before the letter" in the early modern period, and it explicates the discourse that arose around it from a rhetorical as well as a structural point of view. Kenneth Burke's "pentad of motives" helps organize the material, and show how complex the concept of terrorist action could be. Terrorism is usually thought to be a modern phenomenon, but it is actually a foundational figure of the European imagination, at once a reality and a myth, and it has had an impact on political life since the beginnings of Europe itself. Terrorism is a violence that communicates, and the dynamics of communication itself reveal its special powers and inevitable failures.

Recenzje

...this is a book to make historians think. His stated goals are to push critical terrorism studies towards a richer engagement with literary analysis, and to provide contemporary debates with a sense of how vested Western culture has been in the imaginary of terrorism (p. 27). But his book deserves to stimulate historiographical debate, not only about violence, terrorism and writing, but also about the possibility of transnational comparative approaches to the darker passages of the European past.

O autorze

Robert Appelbaum received his BA (Tutorial Studies) from the University of Chicago an his PhD (English) from the University of California, Berkeley. He taught at the University of Cincinnati, the University of San Diego, and the Lancaster University before taking up his current position as Professor of English Literature at Uppsala University, Sweden. He has been a fellow of the Mellon Foundation, the Folger Shakespeare Library, the British Academy, the Leverhulme Foundation, the Arts and Humanities Research Council, and the Stellenbosch Institute for Advanced Study. In 2007 he received the Roland H. Bainton Prize for his study of food, literature and culture in the Renaissance, Aguecheek's Beef.