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Television in Turkey: Local Production, Transnational Expansion and Political Aspirations

ISBN-13: 9783030460532 / Angielski / Miękka / 2021 / 294 str.

Yeşim Kaptan; Ece Algan
Television in Turkey: Local Production, Transnational Expansion and Political Aspirations Yeşim Kaptan Ece Algan 9783030460532 Palgrave MacMillan - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Television in Turkey: Local Production, Transnational Expansion and Political Aspirations

ISBN-13: 9783030460532 / Angielski / Miękka / 2021 / 294 str.

Yeşim Kaptan; Ece Algan
cena 483,04
(netto: 460,04 VAT:  5%)

Najniższa cena z 30 dni: 462,63
Termin realizacji zamówienia:
ok. 22 dni roboczych
Dostawa w 2026 r.

Darmowa dostawa!
inne wydania
Kategorie:
Nauka
Kategorie BISAC:
Social Science > Media Studies
Political Science > Public Policy - Cultural Policy
Performing Arts > Film - General
Wydawca:
Palgrave MacMillan
Język:
Angielski
ISBN-13:
9783030460532
Rok wydania:
2021
Ilość stron:
294
Waga:
0.38 kg
Wymiary:
21.01 x 14.81 x 1.68
Oprawa:
Miękka
Wolumenów:
01
Dodatkowe informacje:
Wydanie ilustrowane

"The subject is of immense interest and value to today's academic and public discussion of media, transnationalism, and localism. ... Television in Turkey provides a diverse but connected account of a complex subject. It draws its analyses from various contents ... . it will be of immense value to students, researchers and academics, and journalists interested in Turkish television studies, its transnational and global expansion, and those interested in media and gender studies in general." (Mohammed Alrmizan, Contemporary Review of the Middle East, Vol. 8 (3), September, 2021)

"This much-needed collection fills a void in television studies and is an important addition to the analysis of transnationalisation. The chronicling of the complex interplay of local, transnational, and political is perfectly reflected in the title Television in Turkey: Local Production, Transnational Expansion, and Political Aspirations." (Nazan Haydari, Critical Studies in Television, Vol. 16, (2), 2021)

1. Introduction.

2. The Regulation of Television Content in Turkey: From State Monopoly to Commercial Broadcasting and Beyond.
3. Televised Journalistic Documentaries of the 1990s: The form, content, and historical juncture.
4. Revisiting the Unplugged Margins: Rural Television Audiences and Mediatization.
5. Debating Women’s Issues on Turkish Television: Exploring the Role of Political  Power in Women’s Talk.
6. Getting married on TV: Women’s Fragile Trust in the Marriage Show.
7. Representing Female Detectives in Turkish Police Procedurals.
8. Continuities and Changes in the Transnational Broadcasts of TRT.
9. Mediatisation and hyper-commodification of sports in the post-1980 Turkey.
10. From TRT to Netflix: Implications of Convergence for Television Dramas in Turkey.
11. Mediatised culturalisation through television: Second-generation Alevi Kurds in London.
12. Turkish Drama Serials and Arab Audiences: Why Turkish Serials are Successful in the Arab World.
13. Consuming Halal Turkish Television in Indonesia: A Closer Look at the Social Responses towards Muhteşem Yüzyıl.

Yeşim Kaptan is Assistant Professor at the School of Communication Studies at Kent State University, USA.  She was a visiting scholar at the Center for Advanced Research in Global Communication (CARGC) at the University of Pennsylvania, USA, and Aarhus University, Denmark. Her research focuses on transnational media, audience reception, global popular culture and consumerism. 

Ece Algan is a Professor of Communication Studies at California State University, San Bernardino, USA. Her research focuses on global communication, local radio and television, ethnic broadcasting, media activism, new media use, media ethnography and youth cultures.


This edited collection takes a timely and comprehensive approach to understanding Turkey’s television, which has become a global growth industry in the last decade, by reconsidering its geopolitics within both national and transnational contexts. The Turkish television industry along with audiences and content are contextualised within the socio-cultural and historical developments of global neoliberalism, transnational flows, the rise of authoritarianism, nationalism, and Islamism. Moving away from Anglo-American perspectives, the book analyzes both local and global processes of television production and consumption while taking into consideration the dynamics distinctive to Turkey, such as ethnic and gender identity politics, media policies and regulations, and rising nationalistic sentiments.




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