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Kategorie szczegółowe BISAC

Sustainability Challenges in the Fashion Industry: Civilization Crisis, Decolonization, Cultural Legacy, and Transitions

ISBN-13: 9789819903481 / Angielski

Miguel Ángel Gardetti; Rosa Patricia Larios-Francia
Sustainability Challenges in the Fashion Industry: Civilization Crisis, Decolonization, Cultural Legacy, and Transitions Miguel ?ngel Gardetti Rosa Patricia Larios-Francia 9789819903481 Springer - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Sustainability Challenges in the Fashion Industry: Civilization Crisis, Decolonization, Cultural Legacy, and Transitions

ISBN-13: 9789819903481 / Angielski

Miguel Ángel Gardetti; Rosa Patricia Larios-Francia
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Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said:"Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?"This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.

Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said:"Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?"This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.

Kategorie:
Nauka, Polityka
Kategorie BISAC:
Science > Environmental Science (see also Chemistry - Environmental)
Social Science > Antropologia - Kultury
Technology & Engineering > Materials Science - General
Wydawca:
Springer
Seria wydawnicza:
Sustainable Textiles: Production, Processing, Manufacturing
Język:
Angielski
ISBN-13:
9789819903481

1.- Retrofitting ETRO: Upholstering the robe’s design tradition through transitional spaces

Dr. Annette Condello

 

2.- Creating the Blusa Pedrana: A Communal Design Model for Sustaining Culture and Clothing

Emily J. Oertling, Kim Hiller

 

3.- Stitching the colonial wound: a critical perspective on the colonization of fashion and fashion studies from and for Latin America

Martina Barroeta Zalaquett

 

4.- Towards an inclusive Fashion System

Professor Jose Teunissen

 

5.- Frankie Welch’s “Cherokee Alphabet” Design: Cultural Appreciation or Cultural Appropriation?

Alyssa Opishinski, Linda Welters, and Susan Jerome

 

6.- Cultural Fashion a matter of Human Rights. Cultural Misappropriation as a Human Rights violation. What is wrong with the fashion and legal systems and how can we make it

right? The Oma ethnic group of Nanam Village in Laos have an answer.

Monica Boța-Moisin

 

7.- Fashion and the ethnography museum - Practices of decoloniality

Daan van Dartel

 

8.- Cultural & Cultural Appropriation Challenges of Indigenous People in the Global Fashion Industry

Dr. LeeAnn Teal-Rutkovsk

 

9.- The Anatomy of One Size Fits All

Clelia O. Rodríguez, PhD

 

10.- Conversations on Decoloniality and Fashion: Speaking, Listening and Collectively (Un)Learning.

Erica de Greef & Angela Jansen

With the guidance and mentorship of Rolando Vazquez and Walter Mignolo, and contribution of Shayna Gonçalves

 

11.- Fashion and identity in virtual spaces

Ph.D. Kyoko Koma

 

12.- Changing models: Clashing worldviews and voices in textile artisanal design in Mexico.

Dr Diana Albarrán González

 

13.- Interventions in traditional clothing systems through anthropological perspective

Nithyaprakash. V

 

14.- Foregrounding the Value of Traitional Indian Crafts: Voices from the Fringe

Shalini Gupta and Ishi Srivastava

 

15.- Reimagining Pūrākau: shaping our connection with Papatūānuku and her taonga.

Metiria Stanton Turei

 

16.- Change, imitation and cosmotechnics: fashion and its political possibilities

Laura Camila Ramínez Bonilla, Edward Bermúdez Macías and Ileana Jalil Kentros

 

17.- Telling the Indigenous Ghanaian Fashion Cosmovision: The Case of Royal Ahenema Sandals

Osuanyi Quaicoo Essel

 

18.- The robes de soirée of the early 1920s were redolent with styles from other fashion systems

Abby Lillethun

 

19.- Crafting Fashion: Ethical Regimes in an Indian-Global Clothing Line

Matthew R Webb

 

20.- The Fashion Crossroad Method: Political and Epistemological Practices

Carla Costa, Carolina Casarin João, Dalla Rosa Júnior, Heloísa Helena de Olivera, Santos Mi Medrado

Miguel Angel Gardetti (Ph.D.), founded the Centre for Sustainable Textile. He was guest co-editor for severals publications in journals and books and renowned professor at different Latin American universities. Between 2012 and 2015, he was also a member of the Consulting Board of the “Future Fashion” Project of MISTRA (a Swedish government foundation that conducts research into environmental topics).  He participated in the activity “Changing the World through Fashion,” organised by the United Nations for the 4th Conference on Sustainable Development (Rio+20). He is an active member of the Global Compact in Argentina –which is a United Nations initiative-, and was a member of its governance body –the Board of The Global Compact, Argentine Chapter - for two terms. He was also part of the task force that developed the “Management Responsible Education Principles” of the United Nations Global Compact. This task force was made up of over 55 renowned academics worldwide pertaining to top Business Schools.


Rosa Patricia Larios-Francia, PhD  in Strategic Management with specialization in Business Management and Sustainability by the Consortium of Universities, Master in Industrial Engineering by the Ricardo Palma University and Industrial Engineer by the University of Lima. With a specialization in innovation by the International Program of High Specialization in Innovation Management.  Researcher in the areas of innovation management, MSMEs management, cluster, biodiversity, sustainability, circular economy, humanitarian logistics, technology in the development of new materials and processes in the textile industry, fashion and handicrafts. She has been Director of the Textile Innovation Center of the University of Lima. Author of scientific articles and books on innovation, sustainability, fashion industry, handicrafts and small and medium enterprises. Professor at the Faculty of Industrial Engineering of the University of Lima. And at the Faculty of Design of the Universidad Peruana de Ciencias Aplicadas. With more than twenty years of experience in executive positions in the textile manufacturing sector. Member ISO/TC 279 Innovation management /WG1 Innovation management System. ISO/TC 279/STTF Spanish translation task force innovation management Member ISO/TMBG/SAG_ESG Strategic Advisory Group on Environmental, Social, Governance (ESG) Ecosystem). Member ISO/TC 133 Clothing sizing system - size designation, size measurement methods and digital fittings. Chairman of the Technical Committee of Standardization - INACAL for Research, Technological Development and Innovation Management.  Secretary of the SC-CTN Apparel.   Member of the CTNs of MSMEs Management, Textiles and Apparel, and Quality Management and Assurance. Director of the Peru Chapter of the International Association of Innovation Professionals- IAOIP. Member of the Latin American Association of Technology and Innovation Management - ALTEC. Member of the Peruvian Association of Textile Technicians - APTT. Member of the Sustainable Fashion Cluster. Member of the Advisory Council of the Sustainable Fashion Association. Member of the International Alpaca Association.

Fashion, and the growth of fashion, are presented as the manifestation of a process of civilization, within a capitalist culture (capital understood as material possessions) that has become global and imperialist, of which - in an economic sense - the industry (or the fashion system?) functions as one of its main instruments of exploitation. And with respect to design, Arturo Escobar said:

"Can design detach itself from its roots in modernist practices of unsustainability and defuturization and reorient itself towards other commitments, practices, narratives and ontological enactions? Moreover, can design be part of the toolkit for the transition to the pluriverze (i.e. a world in which many worlds can fit)?"

This book presents the importance of cultural sustainability in the textiles and fashion industry, decolonizing fashion system and promotes the design for transitions.



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