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Subversive Adaptations: Czech Literature on Screen Behind the Iron Curtain

ISBN-13: 9783319409603 / Angielski / Twarda / 2017 / 224 str.

Petr Bubeni Ek
Subversive Adaptations: Czech Literature on Screen Behind the Iron Curtain Bubeníček, Petr 9783319409603 Palgrave MacMillan - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Subversive Adaptations: Czech Literature on Screen Behind the Iron Curtain

ISBN-13: 9783319409603 / Angielski / Twarda / 2017 / 224 str.

Petr Bubeni Ek
cena 403,47 zł
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This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne, Marketa Lazarova, and The Joke. It therefore treats a historically significant period around which myths and misinformation have arisen. It is broad in scope, examining aesthetic, political, social, and cultural issues. It sets out to disprove the notion that the state-controlled film industry behind the Iron Curtain produced only aesthetically uniform works pandering to official ideology. Bubeniček's main aim is to show how the political situation of Communist Czechoslovakia molded the film adaptations created there, but also how these same works, in turn, shaped the sociocultural conditions of the 1950s and the 1960s.

Kategorie:
Sztuka, Muzyka
Kategorie BISAC:
Performing Arts > Film - General
History > Russia & the Former Soviet Union
Performing Arts > Television - General
Wydawca:
Palgrave MacMillan
Seria wydawnicza:
Palgrave Studies in Adaptation and Visual Culture
Język:
Angielski
ISBN-13:
9783319409603
Rok wydania:
2017
Wydanie:
2017
Numer serii:
000793602
Ilość stron:
224
Waga:
0.53 kg
Wymiary:
21.01 x 14.81 x 2.06
Oprawa:
Twarda
Wolumenów:
01
Dodatkowe informacje:
Wydanie ilustrowane

"Bubenícek's study is a remarkable historian's project, as his introduction focuses on offering a nuanced overview of social thought between 1948 and 1969. ... Bubenícek's entire volume is, indeed, structured this way. Its great merit lies in the broad, well-documented historical overview it proposes, combined with the masterly interpretation of both literary and cinematic techniques." (Maria Chiorean, Metacritic Journal for Comparative Studies and Theory, Vol. 5 (1), July, 2019)
"Throughout this tour of post-war Czech cinema, Bubenícek is an urbane, perceptive, and exceptionally well-informed guide. He is a rewardingly subtle analyst of his country's political history, its literary and cinematic landmarks, and especially the visual and auditory texture of the films in which he takes such contagious delight. ... Bubenícek's expositions are as illuminating as they are thorough ... ." (Thomas Leitch, Adaptation, Vol. 11 (03), 2018)

1. Introduction.- 2. Adaptation as Subterfuge: Silvery Wind.- 3. Adaptation as Play: The Worlds of Jules Verne Come Alive.- 4. Adaptation as Challenge: Marketa Lazarová and Romance for Bugle.- 5. Adaptation as a Reflection of the Zeitgeist.-  6. Epilogue.

Petr Bubeníček is Assistant Professor in the Department of Czech Literature and Library Studies at Masaryk University, Czech Republic. He specializes in the history of modern Czech literature, literary interpretation, film adaptation, and intermediality. He has published several studies, in addition to editing three issues on film adaptation for the journals Česká literatura, Iluminace, and Pandora.

This book deals with film adaptations of literary works created in Communist Czechoslovakia between 1954 and 1969, such as The Fabulous World of Jules Verne (Zeman 1958), Marketa Lazarová (Vláčil 1967), and The Joke (Jireš 1969). Bubeníček treats a historically significant period around which myths and misinformation have arisen. The book is broad in scope and examines aesthetic, political, social, and cultural issues. It sets out to disprove the notion that the state-controlled film industry behind the Iron Curtain produced only aesthetically uniform works pandering to official ideology. Bubeníček’s main aim is to show how the political situation of Communist Czechoslovakia moulded the film adaptations created there, but also how these same works, in turn, shaped the sociocultural conditions of the 1950s and the 1960s.



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