'There is a wealth of forensic detail about familiar van den Toornian topics like the octatonic scale or referential collection.' Anthony Gritten, Slavonic and East European Review
Introduction; 1. Meter and metrical displacement in Stravinsky; 2. The octatonic scale; 3. A brief survey; 4. Meter, motive, and alignment in Les Noces - Stravinsky's block and layered structures; 5. Melody and harmony in Les Noces; 6. Meter, text, and alignment in Renard (1916) - Stravinsky's 'rejoicing discovery'; 7. Allegro! Renard reconsidered; 8. Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov - another look at the symphonies of wind instruments (1920); 9. Issues of performance practice and aesthetic belief; 10. Stravinsky and his critics.