I: Defining The Magic: Why Stanley Cavell? II: Projecting Reality; III: Stanley Cavell: Emersonian Individualist; IV: Cavell on Nietzsche: The Ascetic Ideal, Eternal Recurrence and “Higher Self”; V: Comedies of Remarriage and the Transfiguration of the Commonplace; VI: How the Unknown Woman Finds Her Voice in Contesting Tears; VII: Cavell and Wittgenstein on Skepticism: Redeeming the Law; VIII: Heidegger and Cavell and Woody Allen: Another Woman; IX: Halls of Montezuma and the Utility of War; X: Thoreau, Civil Disobedience and Selma; XI: Lockean Liberalism and Mr. Smith Goes to Washington; XII: Cavell’s Notion of Acknowledgment and Boys Don’t Cry