AcknowledgmentsList of Figures
Introduction: Sound Ambiguities
Fiona Magowan (Queen's University Belfast, UK), Julie M. Norman (University College London, UK), Ariana Phillips-Hutton (Cambridge University, UK), Stefanie Lehner (Queens's University Belfast, UK) and Pedro Rebelo (Queen's University Belfast, UK)
1. Sound Methodologies in Conflict Transformation and Peacebuilding
Fiona Magowan (Queen's University Belfast, UK), Julie M. Norman (University College London, UK), Ariana Phillips-Hutton (Cambridge University, UK), Stefanie Lehner (Queens's University Belfast, UK) and Pedro Rebelo (Queen's University Belfast, UK)
2. Resistance: Performing the Frontline
Julie Norman (University College London, UK)
3. Resilience in Creative Practice in a Post-Conflict Context: Musicians Without Borders
Fiona Magowan (Queen's University Belfast, UK)
4. Remediating Relationships: Collaborative Storytelling and Conflict
Ariana Phillips-Hutton (Cambridge University, UK)
5. From Noises of Conflict to Dissonant Sounds of Reconciliation in Northern Irish Theatre
Stefanie Lehner (Queen's University Belfast, UK)
6. Working through Creative Practice: Socially Engaged Arts Interventions
Pedro Rebelo (Queen's University Belfast, UK)
Conclusion
Fiona Magowan (Queen's University Belfast, UK), Julie M. Norman (University College London, UK), Ariana Phillips-Hutton (Cambridge University, UK), Stefanie Lehner (Queens's University Belfast, UK) and Pedro Rebelo (Queen's University Belfast, UK)References Author IndexPartner IndexIndex