Sonic Histories of Occupation: Experiencing Sound and Empire in a Global Context

ISBN-13: 9781350228085 / Angielski / Twarda / 2022 / 256 str.

Jeremy E. Taylor; Russell Skelchy

Spis treści

List of Figures List of Contributors Acknowledgements ‘Introduction: Sonic Histories of Occupation’ Russell P. Skelchy and Jeremy E. Taylor Part I: Voice and Occupation Introduction: ‘Voice and Occupation’ Jeremy E. Taylor 1. ‘The Vocal Apparatus’s Colonial Contexts: France’s Mission Civilisatrice and (Settler) Colonialism in Algeria and North America’, Iris Blake 2. ‘The Hush Arbour As Sanctuary: African American Survival Silence During British/American Slavery’, Maya Cunningham 3.‘Music and Sound in Weihsien Internment Camp in Japanese-occupied China’, Sophia Geng Part II Introduction: ‘Memory, Sound and Occupation’, Jeremy E. Taylor 4. ‘Occupying New Sound Worlds: Debordering Sonic Imaginaries in StoryMaps’, Fiona Magowan and Jim Donaghey, with Annette McNelis 5. ‘Loud Town, Quiet Base: Olongapo City, Subic Bay and the US Navy, 1950–70’, Kevin Sliwoski 6. ‘Registering Sonic Histories in a Multiply Occupied Place: Sound and Survivance in Mangota’ay, Taiwan’, DJ Hatfield Part III Introduction to Part Three: ‘Auditory Responses to Occupation and Colonialism’, Jeremy E. Taylor 7. ‘The Sonic Occupation of Central Asia: Sound Culture and the Railway in Chingiz Aitmatov’s The Day Lasts More Than a Hundred Years’, Dimitri Smirnov 8. ‘Auditory and Spatial Regimes of United States Colonial Rule in Baguio, Philippines’, Russell P. Skelchy 9. ‘Soundscapes of Diversity in the Port Cities of British Malaya: Cultural Convergences and Contestations in the Early Twentieth Century’, Tan Sooi Beng Index