Social Networks and Music Worlds

ISBN-13: 9780367867935 / Angielski / Miękka / 2019 / 252 str.

Nick Crossley; Siobhan McAndrew; Paul Widdop

Opis

The creation of music is a social and interactive process. Social Networks and Music Worlds brings social network analysis into the study of music to explain interaction within musical networks, and why it matters.

Recenzje

"The book amply shows the numerous methodological possibilities for the analysis of cultural fields through SNA. One undoubted merit is the broad use of mixed method research strategies. In fact almost all the chapters use more than one analytical approach, including, besides SNA, interviews, archival documents, on-line survey, ethnography, longitudinal data analysis and traditional descriptive statistics."
Andrea Gallelli, University of Bologna

Spis treści

1. Introduction - Nick Crossley, Siobhan McAndrew, Paul Widdop  2. What is Social Network Analysis? - Nick Crossley, Siobhan McAndrew, Paul Widdop  3. Totally Wired: the Network of Structure of Post-Punk Worlds of Liverpool, Manchester and Sheffield, 1976-1980 - Nick Crossley  4. Symbolic versus Commercial Success among British Female Composers - Siobhan McAndrew and Martin Everett  5. Music Consumption: Networks and Omnivorism - Paul Widdop  6. Between Social Worlds and Local Scenes: Patterns of Collaboration in Francophone Rap Music - Karim Hammou  7. Embracing Difference in Feminist Music Worlds: a Ladyfest case study - Susan O’Shea  8. The Enabling Qualities of Manchester’s Open Mic Network - Tim Edensor, Paul Hepburn and Nigel Richards  9. Exploring music careers: music graduates and early career trajectories in UK - Roberta Comunian, Alessandra Faggian, and Sarah Jewell  10. Tastes, Ties and Social Space: Exploring Sheffield’s Folk Singing World - Fay Hield and Nick Crossley  11. The Jazz World - Siobhan McAndrew, Paul Widdop, and Rachel Stevenson

O autorze

Nick Crossley is Professor of Sociology and co-founder/co-director of the Mitchell Centre for Social Network Analysis at the University of Manchester. His most recent book is Networks of Sound, Style and Subversion: The Punk and Post-Punk Music Worlds of Liverpool, London, Manchester and Sheffield, 1975--1980, Manchester, Manchester University Press.

Siobhan McAndrew　is Lecturer in Sociology with Quantitative Research Methods at the University of Bristol. Her D.Phil. examined the evolution of institutions providing opera in modern Britain. She works primarily on the social science of culture, and of religious, moral and value change in contemporary Europe.

Paul Widdop is Research Fellow in Culture, Leisure and Sport at Leeds Metropolitan University. His main research interests are in the sociology of taste and consumption, focusing on exploring how social networks impact upon behaviour in the fields of music and sport. He is also interested in the importance of place and neighbourhood effects in these fields, especially in relation to their mediating role in developing cultural lifestyles and cultural communities.