Sites of Popular Music Heritage: Memories, Histories, Places

ISBN-13: 9780367669317 / Angielski / Miękka / 2020 / 268 str.

Sara Cohen; Robert Knifton; Marion Leonard

Opis

This volume examines the location of memories and histories of popular music and its multiple pasts, exploring the different ‘places’ in which popular music can be situated, including the local physical site, the museum storeroom and exhibition space, and the digitized archive and display space made possible by the internet. Contributors from a

Spis treści

Introduction Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts  Part 1: Problematizing Popular Music Heritage  1. Locating Popular Music Heritage Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts  2. Popular Music and the ‘Problem’ of Heritage Andy Bennett  3. The Heritage Obsession: The History of Rock and Challenges of ‘Museum Mummification’. A French Perspective Philippe Le Guern  Part 2: Mapping, Music, and Memory  4. Mapping the Politics of ‘Race’, Place and Memory in Liverpool’s Popular Music Heritage Brett Lashua  5. "Still here?": A Geospatial Survey of Welsh-language Popular Music Craig Owen Jones  Part 3: Archives and Virtual Sites of Memory  6. ‘Fillin’ in Any Blanks I Can’: Online Archival Practice and Virtual Sites of Musical Memory Jez Collins and Paul Long  7. Locating the "Bristol Sound": Archiving Music as Everyday Life Michelle Henning and Rehan Hyder  8. Saving ‘Rubbish’: Preserving Popular Music’s Material Culture in Amateur Archives and Museums Alison Huber and Sarah Baker  9. Intangible Cultural Heritage and the Women’s Liberation Music Archive Deborah Withers  Part 4: Nostalgia and Heritage Practices  10. "You Had To Be There": Memories of the Glasgow Apollo Audience Kenneth Forbes  11. Engaging Nostalgia: Popular Music and Memory in Museums Marion Leonard and Rob Knifton  12. The Remembering: Heritage-Work at US Progressive-Rock Festivals, 1983 to 2012 Tim Dowd  Part 5: Pilgrimage and Sacred Sites  13. Pilgrimage, Place, and Preservation: The Real and Imagined Geography of the Grateful Dead in Song, on Tour, and in Cyberspace John V. Ward  14. Putting the Psycho in Psycho-geography: Tom Vague's Musical Mapping of Notting Hill Alex Lawrey  15. Unveiling Memory: Blue Plaques as (In)tangible Markers of Popular Music Heritage Les Roberts and Sara Cohen  16. Why I Didn’t 'Go Down to the Delta': The Cultural Politics of Blues Tourism Mark Duffett

O autorze

Sara Cohen is Professor in the School of Music at the University of Liverpool, UK and Director of the Institute of Popular Music.

Robert Knifton is a Postdoctoral Researcher at the Visual and Material Culture Research Centre, Kingston University, UK.

Marion Leonard is Senior Lecturer in the School of Music at the University of Liverpool, UK and a member of the Institute of Popular Music.

Les Roberts is a Lecturer in the Department of Communication and Media at the University of Liverpool, UK.