PrefaceAcknowledgements
1. Introduction
2. The Narrated Self: Time and the Dramatisation of Historical Agency
3. The Publication of the Self: The Sublimation of Personal Identity in Publicity and Art Appreciation
4. The Disintegration of the Self: The Origins of Abstraction and the De-objectification of the World
5. The Democratisation of the Self: The Integration of Creative Endeavour into the Fabric of Daily Life and the Death of Art
6. The Trans-personalisation of the Self: The Material Culture of Communication and the Communalisation of Identity
7. The Psychological Self: The Pathology of Art and Cinematographic Modes of Self-Remembering
8. The Linguistic Self: The De-verberation of the Self and the End of Meaning
BibliographyIndex