prefaceacknowledgements
1. Introduction
2. The Narrated Self:Time and the Dramatisation of Historical Agency
3. The Publication of the Self: the Sublimation of Personal Identity in Publicity and Art Appreciation
4. The Disintegration of the Self: the Origins of Abstraction and the De-objectification of the World
5. The Democratisation of the Self: the Integration of Creative Endeavour into the Fabric of Daily Life and the Death of Art
6. The Trans-personalisation of the Self: the Material Culture of Communication and the Communalisation of Identity
7. The Psychological Self: The Pathology of Art and Cinematographic Modes of Self-Remembering
8. The Linguistic Self: the De-verberation of the Self and the End of Meaning
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