Preface
Chapter 1: Charting the Contemporary
Chapter 2: Intermedial Collaborations: Teatro Praga’s Shakespeare Trilogy
Chapter 3: Shakespeare and Cultural Memory: Shakespearean Traces in the Work of Tiago Rodrigues
Chapter 4: Staging the Nation: Nuno Cardoso’s Political Shakespeares
Chapter 5: Moving the audience: Christiane Jatahy’s The Walking Forest
Chapter 6: Shakespearean Travesties: Mala Voadora’s Hamlet
Chapter 7: Eco-critical Performance: Tonan Quito’s Richard III
Chapter 8: New Challenges for Contemporary Performance Criticism
Bibliography
Notes
Index