Series Preface
Introduction
Chapter One: The Inception of Psychoanalytic Theory and Shakespearean Psychoanalytic Criticism
Chapter Two: Shakespearean Psychoanalytic Critics Through the 1970s
Chapter Three: Shakespearean Psychoanalytic Critics in the 1980s
Chapter Four: Shakespearean Psychoanalytic Critics in the 1990s
Chapter Five: Shakespearean Psychoanalytic Critics in the Twenty-First Century
Chapter Six: The Feminine Oedipal Complex in All’s Well That Ends Well
Chapter Seven: A Psychoanalytic Reading of Homoeroticism in Romeo and Juliet
Epilogue
Index