1. All early modern drama is virtual to us David McInnis; 2. RSC live from stratford-upon-avon: ten things I think I know or, of course we're making a movie John Wyver; 3. Digital ariel: an interview with Mark quartley Michael Dobson and Mark Quartley; 4. Staging digital co-presence: Punchdrunk's hybrid sleep no more (2012) and pandemic-informed pedagogies Erin Sullivan; 5. Very tragical mirth': performing a midsummer night's dream on screen(s) during lockdown Benjamin Broadribb; 6. Uneasy lies the head: Michael Almereyda's halloween cymbeline Peter J. Smith; 7. When is king lear not king lear? Peter Holland; 8. Sim-ulating Shakespeare: from stage to computer screen Emily Louisa Smith; 9. Meter in the middle distance Robert Stagg; 10. What's in a 'Quire'? vicissitudes of the virtual in Shakespeare's Julius caesar and romeo and juliet Silvia Bigliazzi; 11. And which the Jew?': representations of Shylock in meiji Japan (1868-1912) Reiko Oya; 12. Hamlet, translation and the cultural conditions of thought Jessica Chiba; 13. The Pietas of dogberry Sean Benson; 14. Taylor Mac's Gary and Queer Failure in Titus Andronicus Louise Geddes; 15. I would cure you': self-help advice on love in Sidney and Shakespeare Ceri Sullivan; 16. Shakespeare in Arden: pragmatic markers and parallels Duncan Salkeld; 17. Sycorax's hoop Hanh Bui; 18. Shakespeare performances in England 2022: outside London Peter Kirwan; 19. Shakespeare performances in England 2022: London Lois Potter; 20. Professional Shakespeare productions in the British isles, January-December 2021 James Shaw; 21. The year's contribution to Shakespeare Studies: 1. Critical Studies reviewed by Ezra Horbury, 2. Performance reviewed by Miranda Fay Thomas, 3. Editions and textual studies reviewed by Emma Depledge.
