'Stuart Sillars offers a model of careful interpretation, of these images' idiom and taste, their devices, in constant reference to the plays themselves and contemporaneous performance … both his methods and terms will prove valuable to those wishing to understand the relationship between Shakespeare as performed and as seen.' The Times Literary Supplement
1. Frames and circumstances; Part I. Structures and Concepts in Shakespeare Imaging: 2. Mechanism and meaning in illustrated editions; 3. Performance reading in practice; 4. Shakespeare painting and aesthetic identity; Part II. Image, Stage and Beyond: Instances and Movement: 5. The visual identities of The Comedy of Errors; 6. Text, image and temper in King Lear; 7. Rhythms of action and feeling: the Roman plays; 8. Rank and race in imaging Othello; 9. The Merchant of Venice and English visual culture; 10. Shakespeare painting 1800–1848; 11. Conclusions and departures.