Introduction, Elsa Högberg and Amy Bromley; 1. ‘The Queen had come’: Orgasm and Arrival, Jane Goldman; 2. ‘Something intricate and many-chambered’: Sexuality and the Embodied Sentence, Anna Frøsig; 3. Woolf, De Quincey and the Legacy of ‘Impassioned Prose’, Elsa Högberg; 4. Rhythms of Revision and Revisiting: Unpicking the Past in Orlando, Jane de Gay; 5. ‘Let us go, then, exploring’: Intertextual Conversations on the Meaning of Life, Sanja Bahun; ‘. . . and nothing whatever happened’: Orlando’s Continuous Eruptive Form, Suzanne Bellamy; 7. Orlando, Greece and the Impossible Landscape, Vassiliki Kolocotroni; 8. Orlando Famoso: Obscurity, Fame and History in Orlando, Angeliki Spiropoulou; 9. Bibliographic Parturition in Orlando: Books, Babies, Freedom, and Fame, Alice Staveley; 10. The Day of Orlando, Bryony Randall; 11.Satzdenken, Indeterminacy, and the Polyvalent Audience, Steven Putzel; 12. In Amorous Dedication: The Phrase, the Figure and The Lover’s Discourse, Amy Bromley; 13. A Spirit in Flux: Aestheticism, Evolution, and Religion, Todd Avery; 14. Sir Thomas Browne and the Reading of Remains in Orlando
Benjamin D. Hagen; 15. The Negress and the Bishop: On Marriage, Colonialism, and the Problem of Knowledge, Randi Koppen; 16. Orlando and the Politics of (In)Conclusiveness, Judith Allen; Aftersentence, Rachel Bowlby.