Introduction
Chapter One: Reconfiguring Televisuality in High-end Television
Chapter Two: Passionate Realism: Paolo Sorrentino’s The Young PopeChapter Three: Independent Style: Stephen Soderbergh’s The KnickChapter Four: Fargo: Adaptation of a Cinematic Text
Chapter Five: A Wealth of Allusiveness: Stranger Things, Boardwalk Empire and VinylChapter Six: Performance Modes in Collision: The LeftoversChapter Seven: Televisual Spectacle: Mars
Conclusion
Bibliography
Index