Screen Culture in the Global South: Cinema at the End of the World

ISBN-13: 9780367404512 / Angielski / Twarda / 2020 / 226 str.

Antonio Traverso; Deane Williams; Keyan G. Tomaselli

Opis

This volume adopts a transversal South-South approach to the study of visual culture in transnational, transcultural, and geopolitical contexts. This book was originally published as a special issue of Critical Arts.

Spis treści

1. Introduction: Cinema at the End of the World  Part I  2. Between Political Film and Militant Video: An Analysis of the Discussions at the Rencontres Internationales pour un Nouveau Cinéma, Montreal, 1974  3. The Return to the Social through the Collective "I": Disrupting the Uneventful Face of Neoliberal Precariousness in the Chilean Documentary El otro día  4. Representations of Women’s Agency in African Anti-Colonial Struggles: The Case of Sambizanga (1972) and Mapantsula (1988)  5. After Death: Public Mourning, Discourse, and Myth in the Afterlife Representations of a Tanzanian Movie Star  Part II  6. Introduction – Dossier: Screen Genres of Reconciliation in Australia, Chile, Rwanda, and New Zealand  7. Not Reconciled: Grey Matter (Ruhorahoza 2011) and the Lacunae of Post-Genocide Rwandan Cinema  8. Top of the Lake’s Emotional Landscape: Reparation at the Edge of the World  9. La Flaca Alejandra: Post-Dictatorship Documentary and (No) Reconciliation in Chile  10. Disturbing the Peace: The Ghost in beDevil and The Darkside  Part III  11. "Be Careful, Cowboy": The Translation and Mutation of the Western Genre in Red Hill  12. Transnational Telenovela Remakes: Challenging Dominant Models and Old-Fashioned Heroines  13. Different but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion’s Sweetie (1989) and Lucrecia Martel’s La Ciénaga (2001)  14. Mapping the Landscape with Sound: Tracking the Soundscape from Australian Colonial Gothic Literature to Australian Cinema and Australian Transcultural Cinema  15. Kangaroo: The Australian Story  16. Beyond Poetics: Raúl Ruiz’s Rethinking of Narrative  17. The Maslyn Williams Network