ISBN-13: 9780521550857 / Angielski / Twarda / 1996 / 176 str.
ISBN-13: 9780521550857 / Angielski / Twarda / 1996 / 176 str.
Heinrich Schenker's theoretical and analytical works claim to resubstantiate the unique artistic presence of the canonic work, and thus reject those musical disciplines such as psychoacoustics and systematic musicology which derive from the natural sciences. In this respect his writing reflects the counter-positivism endemic to the German academic discourse of the first decades of the 20th century. The rhetoric of this stance, however, conceals a sophisticated program wherein Schenker situates his project in relation to these sciences, arguing his reading of the musical text as a synthesis of a descriptive psychology and an explanatory historiography (which itself embeds both paleographic and philological assumptions). This work rereads Schenker's project as an attempt to reconstruct music theory as a discipline against the background of the new empirical musical sciences of the later 19th century.