many a Russianist would find numerous rewarding insights in Russomania ... Beasley offers many more analytical examples that uncover routes of multidirectional cultural exchange in the modernist age. Her account of the British fascination with Russia, both positive and negative ... reveals important aspects of what "Russianness" meant in early twentieth-century Britain. In turn, this knowledge will likely be indispensable for understanding not only European
modernism, but in addition, later developments in the British-Soviet cultural dialogue.
Rebecca Beasley is Associate Professor in English at the University of Oxford, and Fellow of The Queen's College. She is the author of Ezra Pound and the Visual Culture of Modernism (Cambridge University Press, 2007), and Theorists of Modernist Poetry: Ezra Pound, T.S. Eliot and T.E. Hulme (Routledge Critical Thinkers, 2007), and editor, with Philip Ross Bullock, of Russia in Britain: From Melodrama to Modernism (Oxford University Press,
2013). She has also published articles on modernism and translation, periodical culture, the British 'intelligentsia', and the history of comparative literature.