Acknowledgements; Introduction, Nicholas Mason and Tom Mole; I. Book History, Bibliography and Archival Method; 1. Rethinking the Periodical Medium in the Digital Archive, Jon Klancher; 2. Reading Medicine in Blackwood’s, Megan Coyer; II. Aesthetics, Innovation and Taste; 3. ‘A Separate and Distinct Tribunal’: Libel Law and Reviewing in Early Issues of Blackwood’s, Tom Mole; 4. Performing Personae in Blackwood’s and Romantic Periodicals, Christine Woody; III. Reviewing Politics and the Politics of Reviewing; 5. Maga as Medium: Cockneys in Context, Mark Parker; 6. ‘Some Grand Secreter’: Secrecy and Exposure in Blackwood’s, Mark Schoenfield; 7. Blackwood’s Pastoralism and the Highland Clearances, Alexander Dick; IV. Gender, Race and Romantic Periodicals; 8. Crashing the Blackwood’s Boys’ Club: Caroline Bowles and Women’s Place in Romantic-era Periodicals, Nicholas Mason; 9. Mary Prince ‘At Home’ in Blackwood’s: Maga’s Origins and the End of Slavery, Caroline McCracken-Flesher; V. Blackwoodian Genealogies; 10. The Politics and Aesthetics of Extraction: Cultural Interventions in Blackwood’s and the Imperial, Kristin Flieger Samuelian; 11. The Challenge of Longevity: Blackwood’s as a Post-Romantic Periodical, Joanne Shattock; Bibliography; Index.