Over the past two decades, Mendelssohn scholarship has focused on foundational work, such as reexaminations of biography and crucial primary sources. Rethinking Mendelssohn successfully builds on this foundation in innovative and exciting ways. It casts new light on those areas of Mendelssohn's oeuvre that have remained in the shadows, while exploring the composer's life and music in the context of recent discoveries and novel historical and theoretical
frameworks.
Benedict Taylor is Reader in Music at the University of Edinburgh. His research interests centre on nineteenth-century music, theory and analysis, and philosophy. Previous books include Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (2011), The Melody of Time: Music and Temporality in the Romantic Era (2016), and Towards a Harmonic Grammar of Grieg's Late Piano Music
(2017).