Part 1: The Art Collector 1. The Artist Collector: the Example of Bernar Venet’s Collection (Gwendoline Corthier-Hardoin) 2. Walpole and the Creation of a Market for Ebony furniture from the East in Britain (Adriana Turpin) 3. African Art Acquisitions at Tate: a Case Study on the Influence of External Parties on the Collecting of African Contemporary Art (Stephanie Dieckvoss) 4. Art Malls and Popular Collecting in Post-Socialist China (I-Yi Hsieh) 5. Perspectives of Private Contemporary Art Collecting in Brazil (Nei Vargas da Rosa) Part 2: Artists as Entrepreneur and Their Career Paths 6. Art Market Stakeholders’ Actions and Strategies for the Co-creation of Artists’ Brands (Francesco Angelini & Massimiliano Castellani) 7. A Behavioural Approach to Understanding the Artist as Entrepreneur (Bronwyn Coate, Robert Hoffmann, Pia Arenius & Swee-Hoon Chuah) 8. Artists’ Promotion and Internationalisation (Elisabetta Lazzaro & Nathalie Moureau) 9. Disregarded or Adored? Remarks on Art Market Responses to Women Artists Behind the Iron Curtain (Marcela Rusinko) 10. Public and Private Art Markets (Trine Bille) Part 3: The Formation and Development of New Markets 11. Information Efficiency in Art Markets Past and Present (Darius Speith) 12. Bought-in at English Auction: Sellers Testing their Estimates in a Maturing Market (Elisabetta Lazzaro & Bénédicte Miyamoto) 13. From the Artist’s Studio to the Amateur's Portfolio: the Modern Drawing Market and Collecting in Early Nineteenth Century Paris (Sarah Bakkali) 14. The Strategy of a New Material: the Demidoff Family and Malachite (Ludmilla Budrina) 15. New Markets for Old Items: Selling Aristocratic Collections of Art and Antiquities in Interwar Slovenia (Renata Komić Marn & Tina Košak)

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