Acknowledgements; List of Illustrations; 1. Introduction: Remakings: Replications and Reproductions in the Nineteenth Century, Julie Codell and Linda K Hughes; I. Replication and Networks; 2. Replication of Things: The Case for Composite Biographical Approaches, Sally M Foster; 3. Transatlantic Autograph Replicas and the Uplifting of American Culture, Julie Codell; 4. “Petty Larceny” and “Manufactured Science”: Nineteenth-Century Parasitology and the Politics of Replication, Emilie Taylor-Brown; 5. Portraying and Performing the Copy, c. 1900, Dorothy Moss; II. Replication and Technology; 6: Replicating Tennyson’s The Princess, 1847-1853, Linda K. Hughes; 7. Paisley/Kashmir: Mapping the Imitation Indian Shawl, Suzanne Daly; 8. William Morris and the Form and Politics of Replication, Elizabeth Miller; 9. Text and Media Replication During the US-Mexican War, 1846-1848, Kathryn Ledbetter; III. Replication and Authenticity; 10. Literary Replication and the Making of a Scientific “Fact”: Richard Owen’s Discovery of the Dinornis, Gowan Dawson; 11. Copying from Nature: Biological Replication and Fraudulent Imposture in Grant Allen's An African Millionaire, Will Abberley; 12. The Failure of Replication in Nineteenth-Century Literature: Why it All Just Comes Out Wrong, Dan Bivona; IV. Replication and Time; 13. “Seeking Nothing and Finding It”: Moving On and Staying Put in Mugby Junction, James Mussell; 14. The Origins of Replication in Science, Ryan D. Tweney; 15. Fathers, Sons, Beetles, and “a family of hypotheses”: Replication, Variation and Information in Gregory Bateson’s Reading of William Bateson’s Rule, David Amigoni; V. Afterword: Implications of Nineteenth-Century Replication Culture, Julie Codell and Linda Hughes; Notes on Contributors.