"A collection of fourteen very fine essays...Loosley grouped into four sections..., the general sense is...of increasing richness...Regarding Fauré is an indispensable addition to any scholarly collection and a welcome contribution, not only to Fauré scholarship, but to the study of the cultural life of fin de siéle Paris." -- Notes
Introduction; 1: Context & Criticism; 1: Fauré and the Salons; 2: Gabriel Fauré: Music Critic for Le Figaro; 3: The Triumph of a Genre: Fauré's Chamber Music Through the Looking Glass of Music Criticism; 4: A View of the French Chamber Music “Renaissance” from Parnassus; 2: Mentor & Métier; 5: Fauré at the Conservatoire: Critical Assessments of the Years 1896–1920; 6: Camille Saint-Saëns: Fauré's Mentor 1; 3: Analytical Approaches; 7: The Organic Nature of Sonata Form in Fauré; 8: Allusion in The Music of Gabriel Fauré; 9: Ulysse Revealed 1; 10: Fauré's Prelude to La Passion (1890): A Re-Examination of a Forgotten Score; 4: Les Mélodies; 11: Mort Exquise: Representations of Ecstasy in the Songs of Duparc and Fauré; 12: Fauré's Religion and La Chanson d'Ève; 13: A Voyage of Discovery into Fauré's Song Cycle Mirages; 14: Fauré: Voice, Style and Vocality