Acknowledgements Introduction: The Body At Play in Early Modern Texts
Chapter 1: Ungracious Grace: Proprioception and Staging Taste in Thomas Dekker’s If This Be Not a Good Play The Devil is In It The Devil Saying Grace: Folklore and Oxymoron A Gust of Wind that Fans the Fire: Monks Hotting Up Mistrusting the Self Conclusion
Chapter 2: Walking without God — (mis)learning through the gait in Mateo Alemán’s Guzmán de Alfarache (1599 and 1604) and James Mabbe’s The Rogue (1622) Guzmán’s Pedagogical Texts: God and the Beggar’s Book Conclusion: Against Learning – Guzmán and the Widow
Chapter 3: Plain Plasticity— Thomas Ellwood’s The History of the Life of Thomas Ellwood (1714) Masculinity and Self-Shaping: A Simple Perspective? Conclusion
Chapter 4: Chaste and Silent – Again. Vitality and the bound and loosed body in I.T.’s Grim the Collier of Croydon; or, The Devil and His Dame (c.1600) Tyed Tongues Vitality: Outside of Language Conclusion