Introduction: Intersecting Industries - Aakshi Magazine and Amber Shields
Section 1: Growing up Industry
1. Loving but Critical: The Empathetic Gaze of Luck by Chance - Aakshi Magazine
2. Relocating Bollywood: Gully Boy and the New Ontologies of Film Music - Sangita Gopal
3. New Forms, New Stories: Zoya Akhtar’s Short Films - Amber Shields
4. Zoya Akhtar as a Screenwriter: Making Niche the New Mainstream - Vyoma Jha
Section 2: Reworking Bollywood Themes
5. The Heterotopia of Family Relationship in Dil Dhadakne Do - Debnita Chakravarti
6. Sabka Time Aayega: Language and Identity in Gully Boy - Kamayani Sharma
7. Homosexual Love: He is also Made in Heaven - Iqra Shagufta Cheema
Section 3: A New Era of Gendered Politics
8. Conflicted and Confused: The Changing Complexity of Masculinity in Zoya Akhtar’s Films - Amber Shields
9. Señoritas at Work: Gendered Work, Aspiration and Leisure in the Films of Zoya Akhtar - Sharanya
10. Self-made vs Self-respect: The Politics of Belonging in Zoya Akhtar’s Films - Vijeta Kumar
Section 4: The Word and the Screen
11. Deconstructing the Perception of ‘The Elite Class Filmmaker’ – Critical Analysis of Popular Film Reviews of Zoya Akhtar’s Cinema - Ruchi Jaggi and Mudita Mishra
12. The Final Word: An Interview with Zoya Akhtar - Aakshi Magazine and Amber Shields