Foreword , Andrew Nestingen; Introduction, Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice; PART 1: GENERIC & INDUSTRIAL FLUIDITY; 1: Storytelling Schemes, Realism, and Ambiguity: Susanne Bier’s Danish Dramas, Birger Langkjær; 2: Negotiating Special Relationships: Susanne Bier’s Comedies, Gunhild Agger; 3: Susanne Bier’s Hollywood Experiments: Things We Lost in the Fire and Serena, Missy Molloy; PART II: NEGOTIATING IDENTITY ; 4: Beginning with Jewish Survival: Freud’s Leaving Home, Maureen Turim; 5: Stories with Queer Identities, Anders Marklund; 6: The Case of Lars von Trier vs. Susanne Bier, Pétur Valsson; 7: Gender Equity in Screen Culture: On Susanne Bier, the Celluloid Ceiling, and the Growing Appeal of TV Production, Mette Hjort; PART III: AUTHORSHIP & AESTHETICS; 8: Tracing Affect in Susanne Bier’s Dramas, Mimi Nielsen; 9: Vision and Ethics in A Second Chance (En chance til), Danica Van De Velde; 10: The Truth is in the Eyes: Bringing Art Cinema Glimpses to the High-end Television Drama Series The Night Manager, Eva Novrup Redvall; PART IV: TRANSNATIONAL REACH;
11: Cinema of the World and Women’s Film Culture: Susanne Bier’s Transnational Cinema, Belinda Smaill; 12: From Local to Global: The Bier-Jensen Screenwriting Collaboration, Cath Moore; 13: First World Guilt, Danish Privilege and Responsibility in the Work of Susanne Bier, Meryl Shriver-Rice; POSTSCRIPT: A CONVERSATION WITH SUSANNE BIER , conducted by volume editors, Missy Molloy, Mimi Nielsen and Meryl Shriver-Rice; Filmography