Figures; Acknowledgements; Introduction; CHAPTER 1: Cinema’s ‘Primitive Beauty’: Pedro Costa’s Artistic Formation and the Making of Blood (1989); CHAPTER 2: Negotiating Filmmaking: Adaptation, Location and Docufiction; CHAPTER 3: Digital Filmmaking at the Interstices; CHAPTER 4: Critical Reception and the International Film Festival; CHAPTER 5: Between the Black Box and the White Cube; CHAPTER 6: Renegotiating circulation: retrospectives and DVD releases; CHAPTER 7: A ‘Document of Documents’: Authorship, Intertextuality and Politics in Horse Money (2014); Conclusion; Bibliography; Pedro Costa’s Filmography