Contents; Acknowledgements; Introduction, Kyle Barrett; PART ONE: BIOPICS; Chapter One: I Shot Andy Warhol: Fame, Notoriety and Mary Harron’s Anti-biopics, Janice Loreck; Chapter Two: On the Other Side of the Icon: Making Images and Restaging Celebrity Spectacle in Anna Nicole, Kimberley Lamm; PART TWO: FEATURE FILMS AND PRODUCTION CONTEXTS; Chapter Three: Dream of the ‘90s: Mary Harron in Indiewood, Kyle Barrett; Chapter Four: “I Like to Dissect Girls”: Mary Harron’s American Psycho as Gendered Metafiction, Coco d’Hont; Chapter Five: “And then I met Lucy”: Perfection, Same-Sex Desire, and Social Control in Mary Harron’s The Moth Diaries, Caroline Speller; Chapter Six: Charismatic Breadwinner Killer: Gender Power Relations in Charlie Says (2018), Gemma Piercy-Cameron; PART THREE: TELEVISION AND SHORT FILM PRODUCTION; Chapter Seven: Death to Disposal: Echoes of American Psycho in The Rainbow of Her Reasons (Six Feet Under), Gareth Schott; Chapter Eight: Sartorial Interventions: When Fashion and Film Collide in Armani (Mary Harron, 2012), Elena Caoduro; Index