1. Introduction: The Films of Alejandro Jodorowsky; 2. Two Tales of Transposed Heads: "La Cravate" and "Org"; 3. The Panic and/or Freak Aesthetic; 4. One of Us: Corpo-Reality and the Disabled Body in the Films of Alejandro Jodorowsky; 5. Prophets and Sinners in the 1970s Films of Alejandro Jodorowsky; 6. H. P. Blavatsky and Alejandro Jodorowsky: The Influence of the Russian Orthodox Church and Theosophy on Psychomagic in El Topo and The Holy Mountain; 7. Dionysus Resuscitated: Alejandro Jodorowsky and the Aesthetics of Intoxication; 8. The Music in The Holy Mountain: A Jodorowskian Sound Machine; 9. Outlaw Artists and Esoteric Media: International Copyright and Alejandro Jodorowsky’s Illicit Media Practice; 10. Resistance in Alejandro Jodorowsky’s Santa Sangre; 11. Inherit and Repair: Self-erasure and Allegoric Montage in Jodorowsky’s The Caste of Metabarons; 12. Alejandro Jodorowksy, The Unmade, and The Sons of El Topo; 13. Jodorowsky, Psychomagic, and Subjective Destitution; 14. Talmudist & Kabbalist Practices in Alejandro Jodorowsky’s Psychomagic, a Healing Art