Recreation in the Renaissance: Attitudes Towards Leisure and Pastimes in European Culture, C.1425-1675

ISBN-13: 9781349430741 / Angielski / Miękka / 2003 / 188 str.

A. Arcangeli

Opis

In Renaissance Europe, when 'leisure classes' used social gathering to define civility and the commercialization of leisure was beginning, the human need for recreation became a cultural topos. The book explores the vocabulary of play and games; the spectrum of leisure activities, often gender-specific or appropriate to particular social groups; the medical discourse on the preservation of health, where amusements were assessed as physical exercise; the moral approach to play; legal treatises on gambling; and the visual representation of leisure.

Recenzje

'An original, learned, lucid and accessible study that should be essential reading for students of the history of sport, leisure and the Renaissance.' - Professor Peter Burke, University of Cambridge

'In this elegant and wide-ranging book, Alessandro Arcangeli sets medical exercise among other types of recreation discussed by European writers during the long Renaissance.' - Vivian Nutton, Medical History

Spis treści

List of Figures Preface PART 1: INTRODUCTION Games and Leisure between history and social theory PART 2: THE NEED FOR RECREATION Paradise Lost A saint, an archer and his bow (story of an exemplum ) A right to be idle? PART 3: THE MEDICAL DISCOURSE Motion and rest Ancient and modern forms of exercise 'The manner of governing health' Amor et alea PART 4: THE MORAL DISCOURSE Reason versus Joy A virtue to remember A view from Paris Games without a chance Juego(s) A time for play? PART 5: GAMES AND LAW Ius commune De ludo Panem et circenses The regulation of extravagance PART 6: VARIETIES OF PASTIMES Leisure and social hierarchy Plaisirs des dames Children's games Medieval and Renaissance taxonomies PART 7: CONCLUSION Appendix: the European Vocabulary of Recreation Notes Bibliography Index

O autorze

ALESSANDRO ARCANGELI (PhD Pisa) Lecturer in Early Modern History at the University of Verona, has studied at the Warburg Institute (1989-90) and was a Fellow of Villa I Tatti (1998-99). His book on the cultural history of dance, Davide o Salomè, was awarded a prize (Finale Ligure Storia, 2001).