Recontextualizing Indian Shakespeare Cinema in the West: Familiar Strangers

ISBN-13: 9781350168657 / Angielski / Twarda / 2023 / 256 str.

PANJWANI VARSHA

Spis treści

List of Illustrations Notes on Contributors Foreword: On Reading the Indian Shakespeare Film Poonam Trivedi (Indraprastha College, University of Delhi, India) Acknowledgements Introduction: Indian Shakespeare Cinema in the West: Past, Present and Future Directions A Conversation between Varsha Panjwani (NYU London, UK) and Koel Chatterjee (Trinity Laban Conservatoire of Dance and Music, UK) PART ONE: Dismantling the Familiar 1. Re-generation: Remapping the Screenscape in Fractious Times Diana E. Henderson (MIT, USA) 2. Two Indian Film Offshoots of Twelfth Night Robert White (University of Western Australia, Australia) 3. ‘For never was a story of more woe’: Dialogic Telling and Global Interchange in Qayamat se Qayamat Tak, a ‘Bollywood’ Film Adaptation of Romeo and Juliet Mark Thornton Burnett (Queen's University Belfast, UK) 4. ‘Indian’ Independent Cinema and Shakespeare: Conversations with Sharat Katariya and Vandana Kataria Tula Goenka (Syracuse University, USA) 5. Vandana Kataria’s Noblemen: Global Frames of Interpretation Taarini Mookherjee (Columbia University, USA) 6. Chutzpah: The Politics of Bollywood Shakespeare Subtitles Varsha Panjwani (NYU London, UK) PART TWO: Re-contextualizing the Strangers 7. Curating Indian Shakespeares at the BFI in 2016 Helen deWitt in conversation with Anne Sophie Refskou (Aarhus University, Denmark) 8. “Traveling” with Shakespeare through Bhardwaj’s Haider: Some Challenges in Teaching Global Shakespearean Adaptations in US University Classrooms: The Global Shakespeare Movement Jyotsna Singh (Michigan State University, USA) 9. Understanding Nimmi: Tracing Interpretations of Vishal Bhardwaj’s Maqbool Ana Laura Magis Weinberg (National Autonomous University of Mexico, Mexico) 10. ‘Naina thag lenge’: Visual Uncertainty in Othello and Vishal Bhardwaj’s Omkara Shani Bans (University College London, UK) 11. A Pair Of Homotextual Lovers: Bhansali’s Ram-Leela and Shakespeare’s Romeo & Juliet Amritesh Singh (University of St Andrews, UK) 12. ‘All the world’s a stage’: The Participatory Indian Cinema Audience and its Impact on Indian Shakespeare Films Koel Chatterjee (Trinity Laban Conservatoire of Dance and Music, UK) Afterword: Sonia Massai (King's College London, UK) Index