Introduction: Allegories, Economies and Resonances of the Road, Bill Angus and Lisa Hopkins; Part I. Shakespeare’s Roads; Chapter 1. The Low Road and the High Road: Macbeth and the Way to Scotland, Lisa Hopkins; Chapter 2. Uncolting Falstaff: The Oats Complex and Energy Crisis in 1 Henry IV, Todd Andrew Borlik; Chapter 3. The Night, the Crossroads and the Stake: Shakespeare and the Outcast Dead, Bill Angus; Chapter 4. Gender, Vagrancy, and the Culture of the Early Modern Road in As You Like It, Karalyn Dokurno; Chapter 5. Traversing Monstrosity: Perilous Women and Powerful Men upon Shakespeare’s Roads, Sharon Emmerichs; Part II. The Embodied Road; Chapter 6. Not So Tedious Ways to Think about the Locations of the Early Playhouses, Laurie Johnson; Chapter 7. Wandering Fools and Foolish Vagrants: Folly on the Road in Early Modern English Culture, Alice Equestri; Chapter 8. ‘Fallen Am I in Dark Uneven Way’: Wandering from the Road in Early Modern Folklore and Drama, Jennifer Allport Reid; Chapter 9. ‘I must abroad or perish!’: The Meta-theatre of the Road in Brome’s A Jovial Crew, Kim Durban; Part III. Writing the Road; Chapter 10. Staging the road: walking, talking, footing, Robert Stagg; Chapter 11. The Road to Damascus and the Road to Hell in Philip Massinger’s The Renegado: Islamic England and the Pauline Crossroads, Paul; Frazer; Chapter 12. How Margaret Cavendish Mapped a Blazing World, Marion Wynne-Davies; Chapter 13. ‘The King’s Highway:’ Reading England’s Road in The Pilgrim’s Progress, Part I., Martha Lynn Russell; Conclusion, Lisa Hopkins and Bill Angus; Index.