Editorial Acknowledgments 1. Introduction - Dominique Chateau & José Moure. Part I - A tribute to Agnès Varda 2. The Incipit of BEACHES OF AGNÊS (LES PLAGES D'AGNÊS): An Installation in the Form of a Self-portrait - José Moure II. The End of Cinema ? 3. Announcing the End of the Film Era.. The Lumière Galaxy: Seven Key Words for the Cinema to Come (Columbia University Press, 2015) by Francesco Casetti - Dudley Andrew 4. Cinema Hangs Tough - André Gaudreault & Philippe Marion 5. Jean-Luc Godard's Histoire(s) du cinéma or Cinema Surpasses Itself - Céline Scemama III. Technological Transformations 6. Mutation, appropriation and style - Victor Burgin 7. The 21st-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice Is Transition - a Dialogue - Giovanna Fossati & Annie van den Oever 8. In-flight Entertainment or the Emptying Process of Art in the Air - Christophe Génin IV. New dispositif, new conditions 9. What Kind of Art is the Cinema of Interactions? - François Jost 10. Thinking Inside and Outside of the (Black) Box. BIRD BOX and Netflix' algorithmic operations - Malte Hagener 11. Post-Cinema Ecology - Francesco Cassetti & Andrea Pinotti V. Transformations in film form 12. Space-Image: for an Environmental Reading of Artists' Moving Image Experience - Miriam de Rosa 13. EXTRAORDINARY STORIES, a Mariano Llinás' Postmodern Art Film - A. Gabriela Rivadaneira 14. Art, Otherwise Than Art. Cinema and Contemporary Art : a Mutual Challenge - Dominique Chateau 15. The Zidane Film - Richard Conte V. Post-cinema, an artists' affair 16. Marcel Broodthaers: Post-cinema Before Itself? - Christophe Viart 17. Per aspera ad astra, or Through Post-cinema Towards Cinema, the Reverse Journey of Ilya Khrzhanovsky's DAU - Eugénie Zvonkine 18. CINÉMATON: the Shortest Films for the Longest Film - A Dialogue - Gérard Courant, Dominique Chateau & José Moure 19. Documentary as Contemporary Art - A Dialogue - Wang Bing, Dominique Chateau & José Moure Index