Portraits and Philosophy

ISBN-13: 9781032337678 / Angielski / Miękka / 2022 / 344 str.

Hans Maes

Opis

Portraiture is one of the most well-established genres in art. Despite its huge popularity, however, portraiture hasn’t received much philosophical attention. This book brings together philosophers and philosophically minded art historians with different areas of expertise to discuss this enduring and continuously fascinating genre.

Recenzje

"Portraits and Philosophy is a philosophical invitation to reconsider portraits as an artistic genre
as well as an object of philosophical investigation. Moreover, chapter after chapter, this book
debunks all the underlying skepticism and prejudices against the possibility of substantial
reflection on this topic. The book is philosophical aesthetics done at its best: this collection of
eighteen original articles written by philosophers and art historians- plus an introduction and an
epilogue by the editor-not only shows philosophical insight, but establishes a substantial and
robust dialogue between philosophy, art history and art practice that one frequently expects, but
rarely finds, in the aesthetics literature." - MIND

"This book seems certain to establish the philosophy of portraiture as a new and important topic of debate within philosophy and to demonstrate the centrality of philosophical aesthetics to the issues of self, identity and our understanding of each other, that concern us all." - Ian Ground, University of Hertfordshire, UK

"This is an excellent book on the elusive but pervasive genre of portraiture. It provides the reader with conceptual tools to understand the boundaries of the genre, the value of portraits and some ethical issues they give rise to. Also, it invites the reader to consider interesting questions such as whether there can be portraits of absent sitters, how to understand sport cards portraits or fictional portraits appearing in literary works." - Paloma Atencia-Linares, National Autonomous University of Mexico

Spis treści

Introduction: Portraits and Philosophy

Hans Maes

Part I. The Nature of Portraiture

1. Portraiture Portrayed

Ivan Gaskell

2. Portraiture and Portrait-Seeing: From Caravaggio to Digital Selfies

Alessandro Giovannelli

3. Portraits, Persons, and Poses

Paul Guyer

4. Philosophy of Portraiture: A Programmatic Overview

Matteo Ravasio

Part II. Subgenres and Special Cases

5. Double Portraiture

Eleen M. Deprez and Michael Newall

6. Moving Picture Portraits

Cynthia Freeland

7. Portraits of People Not Present

Bence Nanay

8. Portraits of the Landscape

Erich Hatala Matthes

9. Sport Card Portraiture

Jason Holt

Part III. Portraiture, Empathy, and Emotion

10. Truth and Empathy in the Portraits of Kokoschka

Jenefer Robinson

11. Without Shame? Lee Friedlander’s Late Self-Portraits

Diarmuid Costello

12. ‘And Time Will Have His Fancy…’: On Being Moved by Portraits of Unknown People

Hans Maes

Part IV. Portraiture, Fiction, and Depiction

13. Real Portraits in Literature

Stacie Friend

14. The Power of Picasso: Reconciling Realism and Anti-Realism in the Portrait of Gertrude Stein

Ira Newman

15. Portraiture: Seeing As and Seeing In

Martin Hammer

Part V. The Ethics of Portraiture

16. The Ethics of Portraiture

A.W. Eaton

17. The Sublime Clara Mather

Kenneth Walden

18. Respecting Photographic Subjects

Macalester Bell

Epilogue: Portraits of Philosophers

Hans Maes

O autorze

Hans Maes is Senior Lecturer in History and Philosophy of Art at the University of Kent. He is the author of Conversations on Art and Aesthetics (2017) and editor of the essay collections Art and Pornography (2012) and Pornographic Art and the Aesthetics of Pornography (2013).