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Popular Music Heritage

ISBN-13: 9783031082986 / Angielski / Miękka / 2023

Andy Bennett
Popular Music Heritage Andy Bennett 9783031082986 Springer International Publishing - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Popular Music Heritage

ISBN-13: 9783031082986 / Angielski / Miękka / 2023

Andy Bennett
cena 481,91
(netto: 458,96 VAT:  5%)

Najniższa cena z 30 dni: 424,07
Termin realizacji zamówienia:
ok. 22 dni roboczych
Dostawa w 2026 r.

Darmowa dostawa!
inne wydania

This book critically discusses the significance of popular music heritage as a means of remembering and re-presenting rock and pop artists, their music and their place in the culture of contemporary society. Since the mid-1990s, the contribution of popular music to the shaping of contemporary history and heritage has increasingly been acknowledged. In the same period, exhibitions of popular music related artefacts have become more commonplace in museums, and facilities dedicated to the celebration of popular music history and heritage, such as the Rock and Roll Hall of Fame, have opened their doors. Popular music heritage has found other mediums of expression too. There is now a significant popular music heritage media, including books, magazines, films and television series. Fans collect and display their own mementos, while the live performances of tribute bands and classic albums fulfill an increasing desire for the live spectacle of popular music heritage. This book will be crucial reading for established scholars as well as postgraduate and undergraduate students studying popular music heritage.

Kategorie:
Sztuka, Muzyka
Kategorie BISAC:
Music > General
Social Science > Antropologia - Kultury
Social Science > Popular Culture
Wydawca:
Springer International Publishing
Seria wydawnicza:
Pop Music, Culture and Identity
Język:
Angielski
ISBN-13:
9783031082986
Rok wydania:
2023
Waga:
0.26 kg
Wymiary:
21.0 x 14.8
Oprawa:
Miękka
Dodatkowe informacje:
Wydanie ilustrowane

 

Chapter 1: Introduction: Why popular music ‘heritage’ – and why now?

PART 1: PLACE AND OBJECTS

Chapter 2: Music, heritage and the cultural consecration of place

Chapter 3: Museums, music halls of fame and fan conventions

Chapter 4: Memorabilia, collectibles and enshrinement

PART 2: MEDIA AND PERFORMANCE

Chapter 5: Heritage media and ‘classic’ re-presentation

Chapter 6: Heritage discourse and the internet

Chapter 7: Tribute bands, self tribute and ‘Classic Albums Live’

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Music, Style and Aging (2013), Music Scenes (co-edited with Richard A. Petersen, 2004) and Popular Music and Youth Culture (2000).

This book critically discusses the significance of popular music heritage as a means of remembering and re-presenting rock and pop artists, their music and their place in the culture of contemporary society. Since the mid-1990s, the contribution of popular music to the shaping of contemporary history and heritage has increasingly been acknowledged. In the same period, exhibitions of popular music related artefacts have become more commonplace in museums, and facilities dedicated to the celebration of popular music history and heritage, such as the Rock and Roll Hall of Fame, have opened their doors. Popular music heritage has found other mediums of expression too. There is now a significant popular music heritage media, including books, magazines, films and television series. Fans collect and display their own mementos, while the live performances of tribute bands and classic albums fulfill an increasing desire for the live spectacle of popular music heritage. This book will be crucial reading for established scholars as well as postgraduate and undergraduate students studying popular music heritage.


Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Music, Style and Aging (2013), Music Scenes (co-edited with Richard A. Petersen, 2004) and Popular Music and Youth Culture (2000).



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