'Miller's book is consistently insightful, imaginative, and well written, brimming with virtuosic readings that range across a wide variety of texts and disciplines … A valuable contribution to nineteenth-century scholarship, it brilliantly recalibrates the connections not only among literary texts, somatic experience, and emerging technology, but also among writers, readers, and critics.' Veronica Alfano, Victorian Studies
Introduction: the material muse in nineteenth-century poetry; 1. Striking passages: vision, memory, and the romantic imprint; 2. Internal impressions: self-sympathy and the poetry of sensation; 3. Listening with the mouth: Tennyson's deaths of Arthur; 4. Poetic afterlives: automatic writing and the mechanics of quotation; Conclusion: the autonomous poem: new criticism and the stock response; Bibliography.