Perspectives on Place: Theory and Practice in Landscape Photography

ISBN-13: 9781472533890 / Angielski / Miękka / 2015 / 192 str.

J.A.P. Alexander

Opis

Perspectives on Place navigates the rich and diverse history of landscape photography and looks critically at how contemporary photographers continue to find new and innovative ways of engaging with the landscape and their surroundings. Perspectives on Place explores how particular visual approaches have been adopted by photographers and artists to facilitate the communication of ideas and themes, as well as more abstract concepts. Practical issues, such as effective composition and managing challenging lighting conditions are also discussed.Featuring examples from Fay Godwin, Paul Fusco, Keith Arnatt, Mark Power, Michael Wolf and many more, this book will help you to improve the visual qualities of your landscape images as well as develop your understanding of how to represent the landscape more meaningfully.Five practical exercises are included in the book, with accompanying discussion questions that relate to the tasks.

Recenzje

"This excellent book should be on any serious landscape photographer's shelf ... the author provides stimulating assignments that are both challenging and educational ... This wonderful book is an inspirational and aspirational resource. - Outdoor Photography Perspectives on Place sets out to 'inspire people to use photography to explore and engage with their surroundings' - and in this it provides a firm foundation for entering into the complex and absorbing process of transforming the experience of place into an image. - Source - Eugenie Shinkle A timely, contemporary treatment of a complex subject trapped in its historical roots.... The title offers an intelligently considered introduction to the genre of landscape photography. It also treats many of the relevant associated issues/topics that form the intellectual context for serious contemporary practitioners. - Prof. Thomas Drysdale, Institution NYU, Tisch School of the Arts, Department of Photography and Imaging, US There are many ways such a book could contextualize the subject of photography and landscape, the book does this in a clear and detailed way. The book taps into debates and practices that are contemporary yet builds that bridge between FE and HE in a way that is intelligent and understandable to those coming to the subject at the beginning of their studies. - Russell Roberts, University of South Wales. UK The book fills a void in the marketplace [and] the author puts across a wide range of questions that encourage the reader to explore the genre. This book supports and questions the journey of landscape photography. - Steven Tynan, lecturer BA (Hons) Photography, Falmouth University, UK An appropriate introduction to landscape photography [that] goes beyond the technical know-how of so many books on the market, offering a deeper level of engagement with the subject. - Dr Mike Simmons, Programme Leader MA Photography, De Montfort University, Leicester, UK This book is not just about landscape photography and how to engage with it. It is a celebration of camera vision - the practice of seeing, thinking and creating photographically - and the individuals who pursue it passionately. - Professor Paul Hill, Visiting Professor, University of Derby and De Montfort University, Leicester, UK This is a superb book that provides the reader with an authoritative understanding of contemporary landscape photography, - Neil Dyson, De Montfort University, UK"

Spis treści

Introduction Where is the Landscape? Distinction as a Genre Why Explore Landscape Art? Health/Safety/Law/Ethics Advice on Giving and Receiving FeedbackChapter 1: TAMING THE VIEWGeography, Metaphor, AutobiographyFrames and FormatsLenses for LandscapesTripod or Handheld?The Zone SystemManaging Dynamic RangeCompositional ConventionsLandscape NarrativesAssignment 1Chapter 2: DEFINING NATUREWhat is 'Beauty'?The Pastoral and the PicturesqueThe Qualities of LightThe SublimeWhere is the Wilderness?Voyages in the LandscapeAssignment 2Chapter 3: SYNTHETIC VISIONSDepth-of-field and Focal PlanesThe 'Temperature' of LightAnalogue and Digital FiltersInfrared LightLighting the LandInterpreting TechnologiesPictorialism vs. 'Straight' PhotographyAssignment 3Chapter 4: LANDSCAPE, POLITICS and POWERLandscapes of IndustryNew TopographicsEnvironmental PoliticsGender and the LandscapePersonal and National IdentitiesAssignment 4Chapter 5: The PRESENCE of ABSENCELandscape and MemoryLandscapes of ConflictThe AftermathLiminal SpacesFrom Spaces to 'Places'Assignment 5Glossary; Bibliography; Webography; Index

O autorze

Jesse Alexander is a freelance photographer, writer and educator. He has contributed articles and criticism for numerous print and online photographic publications. Jesse is currently Photography Curriculum Leader at the Open College of the Arts, UK and a Visiting Lecturer in Documentary Photography at the University of South Wales, Newport, UK.