1. The Performance of Burns, Ian Brown and Gerard Carruthers; 2. Performance and Print in Editions of Robert Burns in the Eighteenth and Nineteenth Centuries, John Burnett and Gerard Carruthers; 3. Robert Burns and Theatre, Jim Davis with Tracy Cattell; 4. Burns and Music Hall, Paul Maloney; 5. ‘To our tale’: ‘Tam o’ Shanter’ on stage, Paul Maloney and Adrienne Scullion; 6. ‘O what a glorious sight’: Performing Identity and the Burns Supper, Ronnie Young; 7. Burns, Public Ceremonial and Civic Scotland, c.1796-c.1914, Christopher Whatley; 8. Robert Burns on the Twentieth-Century Stage, Rhona Brown; 9. Burns and Film, Alistair Braidwood; 10. Orchestral Manoeuvres: Burns on the Concert Platform 1879-1959, Kirsteen McCue; 11. Enactments and Representations of the National Bard: Burns and the Folk Context, Katherine Campbell; 12. ‘Frae my ain countrie’: Robert Burns in the archive of Jean Redpath, Moira Hansen; 13. Performing the work of Robert Burns, Sheena Wellington; Notes on Contributors; Index.