'The editors' stated goal with this volume is 'to show that the expansion of early modern commercial playhouses and the rise of lavishly elaborated courtly shows were not isolated events, but interdependent phenomena, which enables the birth of proto-capitalist, public enterprises'. The breadth and depth of the collection certainly underscore this intent, and the text is successful as well in demonstrating the ways Tudor and Stuart drama was both textual and visual, both diplomatic and aesthetic. As a contribution to the study of early modern performance, the culture of court performance, and the difference between court and public performance, this is a valuable new collection of knowledge.' Jess Hamlet, Early Theatre Review
General introduction Sophie Chiari and John Mucciolo; Part I. Elizabethan Court Theatre: 1. Palamon and Arcite: early Elizabethan court theatre Richard Dutton; 2. Revels at the court of Elizabeth I, 1594–1603 W. R. Streitberger; 3. Multiple Marlowe: Doctor Faustus and court performance Roy Eriksen; 4. The court theatre response to the public theatre debate in a Midsummer Night's Dream Janna Segal; Part II. The Jacobean Tradition: 5. Masculine dreams: Henry V and the Jacobean politics of court performance Murat Öğütcü; 6. Jacobean royal premieres? Othello and Measure for Measure at Whitehall in 1604 Jason Lawrence; 7. Pericles: a performance, a letter (1619) David M. Bergeron; 8. 'The old name is fresh about me': architectural mimesis and court spaces in All is True Catherine Clifford; Part III. Reassessing the Stuart Masque: 9. Dancing at court: 'the art that all arts doe approve' Anne Daye; 10. The Tempest and the Jonsonian masque Martin Butler; 11. Noble masquing at the Stuart court Leeds Barroll; 12. 'Animated porcelain of the court': Stuart masquers as magical automata Agnieszka Żukowska; Part IV. The Material Conditions of Performances at Court: 13. How did they do it? Problems of staging plays at court William B. Long; 14. The Jacobean banqueting house as a performance space John H. Astington; 15. Musicians at court Chantal Schütz; 16. Painted cloths and the making of Whitehall's playing space; 1611–12 Rebecca Olson; Index.